Thursday, January 29, 2015

Integrity in our artwork.

With more and more people being exposed to our Artwork we are starting to get asked if we would consider a commissioned piece using someone elses photo. We have been working on how to answer this in a way that is understandable for the non-artist. 

Right now our pieces are completely ours. We make the paper, take the photographs, print the photographs, build the shadow boxes for the frames, paint and distress the frames, mat the pictures and put it all together keeping in mind the feel of the culture, moment in time and overall feel of the subject matter. We take great pride in our pieces being a work of art from beginning to end. 


It is tempting to make some extra cash taking someone elses picture and creating a work of art out of it. It is also touching to know that someone appreciates your craft enough that they want you to take something that they hold dear and make it into a piece of art. We are honored that someone likes our style enough that they would trust us with their memories. 

I guess what it comes down to for us, is that the photography is the art. The paper, the process, the framing are all a craft, one that could be taught. The eye of the photographer, the attention to the moment in time, the layout, the lighting, the colors, all of that is captured by our lens. The rest is just how we choose to represent the art. 

We are willing to do commissioned work. Should someone have a subject matter that they would like to see in one of our works and we have access to photograph that subject matter or we have photographed it in the past, we would be happy to make a piece for someone with our original photograph. We are also open to taking someones photograph as the basis for a watercolor, acrylic or pencil portrait. That would still allow us to remain the artist. 


There is a part of me that would start to feel like an overpriced kinkos if we started printing other peoples photos on to our paper and that isn't what our artwork is about. We hope our patrons understand and appreciate the artistic integrity of our pieces. Hopefully this will help them maintain their value and make them an investment in the future. 



Tuesday, December 16, 2014

Looking to Purchase Artwork?

We’ve received a few questions through email and friends asking about purchasing artwork, but have been hesitant because they don’t know how to start.  Others have already made a few purchases, and have been “bitten by the art bug” and want to know more about types of art and how to make educated purchases especially in original art.  Here's some pointers, and some statements to questions we often hear that might help you along the way.




Get familiar with art.

I am reminded of a story one of my Ancient Art History Professors told me.  After a presentation at a convention, she was approached by an individual who said they have started to collect art and had said they had purchased a well known artists work at a really good price.  As they continued, they mentioned the newly acquired piece was in their car and wanted her to tell them what she thought, before they had it framed.  Upon making their way to the car, they pull out a cardboard cylinder, and unrolled a poster print of Van Gogh’s “Sunflowers”.  Posters of artwork is not art collecting.  We will talk about what to look for later in this blog.

Unfortunately for this individual, they did not understand all the basics in acquiring artwork.  Luckily for them, they did have the knowledge to ask someone who was educated in the art world what they thought, before purchasing many, many posters, thinking they might be investing in their future.  They also had a good step in the right direction because they knew what they liked in color and composition of the piece.  This lesson in purchasing a reproduction poster cost them around $20.00 for the poster, and a brief embarrassment. 

Although I am considered a professional artist, I do not have all the answers to everything in the art world, but I do want to help those get familiar with their understanding of the basics in art, and I would like to hear from you on any comments or questions you may have.



Why buy artwork?

There are many reasons why people buy art.  The best reason to buy art is because you like it.  It might be a particular look or style that seems to call to you.  Something different that describes your style.  It might remind you of a feeling, a place, or a person that has significant meaning to you.  It could also be because it’s colors and style fits the mood of a room.  It gives off a personality.   It makes you feel




Another reason why people buy art is for the appreciation value…  An investment.  Many may recall the October 2006 mishap with a Picasso painting and a high end art investor and casino owner, Steve Wynn.

All though he is well known in the art world to be a high end art collector, he is clinically blind, so it’s highly unlikely that he is an avid art collector because he likes the way they look.

One of his acquisitions he bought in 1997, for over $ 48m, nearly sold at auction in 2006 for nearly $140m.  That’s over 3 times the appreciation in less than 10 years!  Many have a hard time arguing that while stock markets fluctuate, and housing markets slide, original art continuously appreciates in value nearly every year.

Why is some artwork so expensive?

Some may tell you it’s because the artist is dead, and there will be no more works ever created by them.  As this may be a true statement in general, it is only a small reason behind the supply and demand of this “industry”. 

Another reason why artworks of particular artists are so outrageously valuable is because of the work they produced for their era.  These artist that are now considered the masters in our time were very much inventors in style, composition, color and technique.  For these artists in their day, the world had never seen anything like their work.  They were so far ahead of their time, so new and cutting edge the art critics and the public viewing their work received only criticism.  

Artists, such as Van Gogh was considered a failure during his lifetime as an artist, selling only one painting while he was alive.  It was not till a decade after his suicide that the art world realized his talent as an artist and was marked as a Master.  Up until that time, hundreds of his works were destroyed, many using he unsold works as kindling for their stoves, and one was even used to patch a hole in a chicken coop.  Van Gogh is now credited as the premier founding father of modern art.  It is because of this his work is some of the worlds best known, and most expensive pieces sold today.



However, There are some artists that are not dead, nor are they founders of a new movement.  Alexandra Nechita, born in 1985, her originals continuously sell for 15k to 20k continuously.  She is alive and well.  Her style is Cubism, which was first a concept of Picasso and Braque in 1908, 100 years ago.  Her main claim to fame is she started her first art showing in 1993, at the age of 8.  Her media and marketing labeled her as a child prodigy, and of her being Picasso, reincarnated.  The prodigal days have moved on, but her established prices back then have remained a sound investment for the works she still produces today.


What to look for when purchasing art

Many art buyers will tell you the artist and their track record is the first thing to look at above all things, especially for the investor.  I believe this to be partially true.  I think this should be weighed against a few other things.  Keep in mind unique works unseen by most could very well be an artist undiscovered, and could be a father of a new art movement and era.  It is often desirable for collectors to purchase unique pieces like these, literally banking on the artists acclaim to take off, yielding an investment like nothing else ever seen on wallstreet.  Original artwork like nothing seen before in the market has the potential to do just that.




With this being said, in today’s world, many orginals by established artists are too far out of reach for most people’s pocketbooks.  A common practice with many commiercialized artists nowdays are to appeal to the masses, in the form of prints. A few of the most common types of mass production of original prints could be in the form of a lithograph, silkscreen, etching or Giclee.  Any of these are considered artist creations and original prints.  These prints, approved by the artist and usually done in limited editions must be signed and numbered by the artist showing that it is authentic print and not a reproduction.  A reproduction by definition of the word is “done after production has stopped” and is an image of a piece that has no direct affiliation with the artist creation or manufacturing of the physical work being scrutinized, although royalties might be acquired by the artist estate if copyrights and trade agreements are in effect.  Posters and other copies of the image are part of this category, and should not be acquired for art collecting purposes, as they are considered reproduction copies … also known as fakes or forgeries in the art world.

Even with sculpture, casts are often taken of the originals. With today’s use of polymers, two part casting materials such as urethanes, epoxies, resins, and using silicone molds, scores of copies can be made in minute detail and in a short about of time.  This type of “art” production gets images out for sale to the masses so that “everyone can own one”, although the argument arises in what truly constitutes an original and if an edition piece is worth the price as an investment.


Arguably, the most valuable and most desirable pieces are originals.  These would be true originals, with no edition numbers, because there are no others like it in existence.  These pieces are completely created by the artist.  There are no ‘understudies” or studio artists or craftsmen churning out an end product the artist ‘signs off’ on.  Generally speaking, there will usually be no 'mass production style' mechanical printing, or assembly line processing used.  




Please contact us with more of your questions and comments, we want to hear from you!
____________

Want to share your interest in the art world?  Please let us know about your art experiences! Tell us about your favorite art museum, a favorite piece in a gallery visit, or what drew you to buy your first piece in your private collection.  Art IS exciting, we want to hear about it!


creativeartdesigns@yahoo.com







Monday, November 26, 2007

Must see Mural work done in minutes

The creative forces of Cory & Laura Jurica give insight into their talents with this time lapse video while they paint an awesome mural of the Palazzo Vecchio, commissioned by the owners of this house in Windermere, Florida. The Video itself is about 2.5 minutes long, condensed down from 6 hours of video. The actual project took them just under 30 hours to complete.




for more information on artwork, commissions or the creative process,
for more "jurica's" artwork visit

Friday, August 17, 2007

Support for the Environment

Most emails we get say they appreciate the statement made by our recycled art. In the emails they often mention they want do more to help the environment in other ways than just suburbia trash recycling programs, but they don't know where to start, or don't have the time to write to their congressman about all the issues they would like to address.

SO... We have a great place to start! Check out our friends at the Natural Resources Defense Council - NRDC is a group comprised of business professionals, scientists, backed with a score of lawyers and supported by high profile directors, artists and actors who are strong advocates committed to saving our Natural Resources and promoting Green Living.



This link takes you to their action fund site where you can choose the campaign that moves you the most. You are able to select from various contributions to better the environment, whether it be as simple as adding your own mission statement, to putting your name on petitions to congress, to charitable donations in the name of environmental health that benefits every one's future.


Contact us directly:creativeartdesigns@yahoo.com
for more "jurica's" artwork visit


Monday, March 26, 2007

Recycled Art - Artist Cory Jurica Makes Statement on 'Green' Initiative


Cory Jurica on "Recycling" - their own art initiative.


Many people who see our work are surprised when they hear most all our pieces are from recycled content. Reclaimed products from magazines to junk mail make up the bulk of our media. Most of the pigments, tints and binders are from left over or unused acrylic and latex house paints. Even the faces of the frames are recycled, most coming from garage sale finds and old wall hangings the previous owner wanted to get rid of.






I feel it is an amazing thing to take something that is headed to the landfill, something that is is considered a very disposable commodity, something most people think of nothing to throw away... Take it, and alter it in such a way that it becomes a very attractive and desirable addition to the interior of the home, quite possibly the same home that was ready to throw it out without a second thought. I can't think of a healthier way of personal expression. It's an ultimate rags to riches ugly duckling scenario. Conservation... preservation... positive growth... Such a great story on so many levels.

            

reduce-reuse-recycle.
Regardless of people's individual art interests, we can all agree recycling is a good thing, a key component to our society preserving what resources we use in everyday life. It should be our environmental promise, and taking steps toward cleaning up our own little corner is everyone's responsibility. Whether you choose to express yourself by becoming an open advocate of recycling, or if you feel your recycling habits should be of a more personal nature, it is a challenge which everyone has their part to play in their role of our global neighborhood.



get green.


The first step is to take responsibility for your little corner of your world by searching out recycling programs in your community and use them. After all, what good is it to have it if you don't use it? There are also many programs set in place in local communities and government set up as tax incentives for water efficient measures, alternative sources and many building design services to minimize your impact on resources while maximizing your investments. Get Green!




Recycler's World          



Natural Resources Defense Council



for more information on artwork email 

for more jurica's artwork visit
  https://www.facebook.com/juricacreativeartdesign/photos_stream

Tuesday, January 30, 2007

Art Design Process combines own techniques with those of the Masters




Minutes after becoming Mr and Mrs. Jurica, overlooking the Ponte Vecchio, Florence, Italy

About The Artists –
In keeping with their artistic instincts Cory and Laura Jurica were married in the heart and birthplace of the Renaissance... Florence, Italy.
The Jurica's combined efforts are distinct; a proud reflection of many years of research and study. To further knowledge and fuel passion, they try to visit different areas across the world, adding flavor to their life and to their art.
With her forte in watercolors, pen and ink - and his in materials composition, sculpture and design... this team is quality that is easily noticed.


Cory & Laura @ Chambord Castle - Chambord/Cheverny France

Their combined works reflect the parts of the world they visit, from tiled
Roman baths of Caracalla... Pompeiian frescoes of Southern Italy... Egyptian Ruins @ Karnak... to Thailand's Wat Phra Kaew and Asian Temples of Confucius...
- Depictions of the greats, now only found in legendary museums such as the Uffizi and the Louvre.


Contacts:
creativeartdesigns@yahoo.com 
or contact both artists directly at 
With mass spam on these accounts, Please include key works such as 
"Interest in Artwork" or "Via Creativeartdesigns" 
in subject field

Cory Jurica -
His “process” is a combination of Mediterranean fresco techniques and Thai paper making processes. Over the years, Cory's work has been previously showcased as a conglomerate collage effort, entwining his textured designs with other Artisans, well known along the Gulf Coast Regions, and some of whose work have hung in the Smithsonian. The bulk of the conglomerate collage works have been released in South and Central Texas, Louisiana, Florida, and regions of Russia.
As a native Texan, Cory grew up along the
South Texas Gulf Coastal area. He currently resides in Central Florida, working in creative roles both with his partner and for Central Florida's well known tourist destinations.
The Jurica’s design pieces tie in the new with the old, a refined-weathered visage whose techniques, already proven by the masters to transcend the test of time...
          
    

Cory Jurica along Pont Alexandre III
(ponte neuf) - Paris, France

Contacts:



or contact the artist at 



With mass spam on these accounts, Please include key words such as 
"Interest in Artwork" or "Via Creativeartdesigns" in subject field




click here for more about the work and artists intervie


Laura Jurica
With her degree in Fine Arts from South East Missouri State, Laura (Bartlett) Jurica had vision to move to Central Florida to further her passions. Though she has passion for world travel and culture, her artistic drive lies with creating portraits, watercolor paintings, and pen and ink illustrations. She has joined forces with her partner creating symbolic relics - reflections of their worldly travels. She is currently working creatively for Central Florida's well known tourist destinations.



See Laura's portraits as well as the Jurica's conglomerate works in the Galleries listed at the creativeartdesigns website

 or recent updates at

https://www.facebook.com/juricacreativeartdesign/photos_stream





Laura Jurica at Giza Plateau, Egypt




Contacts: 

or contact the artist at 
With mass spam on these accounts, Please include 
key words such as "Interest in Artwork" or

"Via Creativeartdesigns" in subject field




Origins of works-

Much of Jurica's organic style and natural earthy color sense reflects from his childhood surroundings, the nearby beaches and rugged South Texas landscape. His compositions not only reflect nature, they respect it. The works are comprised of no less than 80% recycled content. The bulk of the recycled
materials used come from carefully selected paper pulps and reclaimed industrial products. The process he has developed is a combination borrowed from various cultures and sources. These techniques borrowed from the world's greatest artesians span from the Mediterranean, to Egypt, to Thailand and the Orient.



Artist's shadow on hieroglyph wall while visiting Ancient Kom Ombo Temple, Egypt

The combination of materials and composition have left the textured designs in a category all their own. The abstract compositions simply don't 'fit the box' defined as paintings, prints, nor sculptures. The most accurate descriptive category they could be placed in would be a composite fresco collage. Cory simply calls them 'Works' or 'Pieces'.

He has done numerous compositions with various artists, some of whose works have hung in the Smithsonian. Most conglomerate works entwine his own textured designs as a background with the Artisan's renowned works, adding texture appeal and distinction. The bulk of the Jurica's combined works have been released in South and Central Texas, Louisiana, Florida, and regions of Russia.


Jurica’s design pieces tie in the new with the old, a refined weathered visage whose techniques, already proven by the masters to transcend the test of time...


Contacts:


or contact the artist at 

With mass spam on these accounts, Please include
key words
such as "Interest in Artwork" or "Via Creativeartdesigns" in subject field

webspace page


creativeartdesigns facebook



Monday, January 22, 2007

Highly textured fine art by the juricas adds sophistication to any space



the work.


Unique visual texture and intriguing design only begins to define this work, already in a category of it’s own. "The process we've developed...” Jurica states, "...combines both fresco techniques indigenous to Europe and Mediterranean, while embracing paper making processes derived from Thailand and the Orient."


Over the years, Cory Jurica’s work has been showcased as a conglomerate collage effort, entwining his textured designs with select Artisans, some of whose work have hung in the Smithsonian. The bulk of the conglomerate collage works have been released in South and Central Texas, Louisiana, Florida, and regions of Russia.



the craft.

Like all original artwork, each piece is created with an individual persona in it's own right. The Jurica's tie the whole piece together by refurbished 'antiquated' frames, taking them apart, rebuilding them into large shadowbox frames. "Most of the frames you see here are two and one half and some are over five... (inches deep)." Cory says, "We sometimes size the artwork based on the old frame we've acquired, and once the the final prep is ready to mount and glass, we refinish the frame in such a way as to - to accentuate the piece, to tie the whole package together..." Cory mentions he has built multiple custom frames from scratch, especially for the pieces that exceed 36 inches wide. "Naturally, larger pieces are going to be more labor intensive, but what an impact they do make on a room!"




When asked about requests Cory says, "I welcome commissions, I enjoy the challenge of designing -matching a piece of work to a room. It's a unique thing since many decorators go the other route: design a room to match the art. It's also interesting to build ideas with other individuals, finding out what their tastes are, always allowing artistic precedence... then run with those ideas to a finished product. I believe there is a real thrill for many people to say, "I had a hand in the artist's design for this work here." It makes for a real conversation piece."




the artists.

Earmarked here are their statements concerning the subject of art. " We believe art is a reflection of many things. To us, true art is based with what I call the three primary reflections, just like the three primary colors - red, blue, and yellow. These three primary reflections are creation, symbiosis, and enjoyment.

The first, through creating the work, reflects the passion of the artist, the connection between the application, the medium, the process itself, the creator and the created… a sense of "one-ness"... a bond with the piece.



The next reflection, Symbiosis. The impact of the piece, another aspect of reflection, is ultimately with the aficionado - the viewer. Maybe it is felt from the appreciation of the artistic process. Perhaps it's a connection the viewer feels, the residual passion of the artist's expression. Perhaps it’s as simple as the interior designer visually getting the right color and style that ties a whole room together.



Some artists say they do work to please themselves alone but for us this is not the case. Similar to the creative work we do for Disney, it is for everyone to appreciate and enjoy. It is an attempt for others to reach out and experience emotional ties on multiple levels. It's the use color, the texture, the asymmetry that makes one almost salivate. That's the connection and passion that drives us to create... to relate... to reflect... to enjoy."


more about the artists and links


for more information email creativeartdesigns@yahoo.com or coryjurica@juno.com

for more jurica's artwork visit http://www.creativeartdesigns.bravehost.com/


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